• Mein Hoo Miss Chandani Movies

Main Hoon Na Title Song (Remix) Shahrukh Khan, Sushmita Sen, Zayed Khan.

. Yahoo. Rediff. TOI. ^. Thomson Living Media India Limited. Yash Chopra's homage to good old-fashioned romance, is making it to the top.

There are no fights, no villains, no politicians: 'Nobody even shouts.' Yet, the film is such a hit that many mini Chandnis are in the pipeline. Chopra sees the return of melody to Hindi film music as one of the reasons for his success: four platinum discs were sold by the time the film was released. But the diehard romanticist believes that a love story well told will neverfail at the box-office. He might be right. Qayamat Se Qayamat Tak at the end of the decade and Ek Duje Ke Liye, Love Story, Ram Teh Ganga Maili and Betaab certainly had the audience spellbound.: 342. Then, in 1988 Qayamat Se Qayamat Tak, and later Maine Pyar Kiya and Chandni heralded the return of melody to Indian cinema.

^ iDiva. Boxofficeindia.co.in. Archived from on 11 January 2016. Retrieved 16 April 2013. The Hindu. Chennai, India.

Times of India (23 October 2012). The Times Of India.

Hindustan Times. Indiatimes. The Times Of India.

Rediff. ^ Hindustan Times. CNN-IBN. India Today. CNN-IBN. NDTV.

Mid Day. Rediff. RajeevMasand.com. The Tribune. Mid Day. bizAsia.

Archived from on 3 March 2016. Rediff. Indian Express. Rediff. BusinessofCinema. Magnamags.com. Archived from on 28 February 2014.

Retrieved 16 April 2013. 8 July 2012 atExternal links. on.

When India and Pakistan decide to end their hostilities, there is one army person in India who is unhappy, because of his son's death in the Indo-Pak war. He decides to launch terror attacks and bring an end to peace, and for this purpose he shoots and gravelly injures an Indian army officer. After the death of this officer, Raghavan then decides to do away with the army officer's daughter, Sanjana, who is studying in hostel. Raghavan and his men descend on the hostel and hold over 100 students hostage.

Mein Hoo Miss Chandani Movies

There is only one student who can save them, and his name is Ram, he claims he is a student, but is here on a mission - a mission that when told will reveal his real identity and two plans which he must carry out simultaneously. At the outset let me tell you that I am not great SRK fan owing to which watch his movies with a critical eye. As far as this one goes. It has all the ingredients that make up Bollywood movie a entertaining popcorn flick. Sush - awesome in sarees (Credit: Manish Malhotra).

Chemistry with SRK is fantastic. Amrita Rao is a surprise package especially seeing her transform from girl-next-door in Ishq-Vishq to an attractive tomboy. Naseeruddin executed his small part pretty convincingly - pity that an actor of par excellence has to be satisfied with miniscule roles in commercial films - a perfect example of under-employment. Kirron Kher did her part well and so did Kabir Bedi. Sunil Shetty's character could have been etched out better (good that Kamal Hassan rejected this role!). Zayed Khan needs to join acting classes. Bindu's English was funny and Satish Shah comedy track was hilarious - every time he came on the screen, he had me laughing.

So was SRK's bursting into a song every time Sush enters the frame - does this remind you of Amitabh dialog in AAA that he hears gong of the Church every time he sees Parveen Babi? True tribute to 70's films and Manmohan Desai films as the director claimed. Action sequences from Allan Amin prove that Bollywood can match to Hollywood standards (plagiarism, No! Inspired, YES!). Lyrics from Javed Akhtar and music by Anu Malik are extremely contagious - the qawalli song deserves a special mention.

What can you expect from the ace choreographer, who makes directorial debut. The song at the end with credits is quite creative. Farah-SRK hail from Johar-Chopra camp and hence there has been heavy influence with obvious inputs and brainstorming to make the finished product financially marketable from every angle. A very predictable formula storyline with a few holes in-between which are easily overlooked with the flow of the movie. Riding on the Indo-Pak peace wave, Operation Milaap is fused into the storyboard as the backbone. The movie is a mixed bag of Bollywood ingredients but what makes this movie standout from the rest, is inter-lacing in right proportions.

As you walk out of the cinema, you carry a feeling of every penny well spent. PS: Just curious - was the title copied from DTPH where SRK convinces the fruit-seller by saying 'Main Hoon Na.'